BEIRUT: Song and dance shattered Downtown Beirut’s typical Sunday calm as thousands poured onto the streets, tears in their eyes and youthful memories in their hearts, to bid farewell to musical legend Sabah. Fans remembered her not only for her huge contribution to music in the Middle East and the entire world, but hailed her for her humility despite achieving international acclaim.
Downtown Beirut was brimming with citizens, musicians, artists and singers, gathering outside the St. George Cathedral to celebrate the life of a figure whose impact transcended borders.
Sabah’s coffin arrived in a white hearse covered with white flowers, which led a convoy of five black hearses carrying the wreaths that had the names of nearly all of Lebanon’s most known figures. Among the names were those of former Prime Minister Saad Hariri, Speaker Nabih Berri, Free Patriotic Movement leader Michel Aoun, head of the Lebanese Forces Samir Geagea and Army Commander Gen. Jean Kahwagi.
Perhaps the most touching of all farewell notes was written by the another legendary icon of Lebanese art, Fairouz: “Your sun never sets.”
One wreath also carried the name of Prime Minister Tammam Salam. Attending the funeral were many Cabinet ministers and MPs.
“It is just normal that a person who filled the hearts of all the Lebanese with joy and life is remembered by all these people on her final day,” MP Elie Keyrouz, observing the huge line of wreaths and reading each note, told The Daily Star.
“But it’s unfortunate that Lebanon is incomplete at this moment. It’s sad that there is no president to tell her goodbye,” he said.
Born Jeanette Feghali in Bdadoun, a village in Aley, Sabah, who died last week at the age of 87, was the first Arab singer to perform at Olympia in Paris, Carnegie Hall in New York, Piccadilly Theater in London and the Sydney Opera House in Australia.
She starred in 83 films (Lebanese and Egyptian) and 27 Lebanese plays. Sabah’s repertoire included over 3,000 Lebanese and Egyptian songs. She received many awards during her lengthy career, including one from the Dubai International Film Festival and another by former Lebanese President Michel Sleiman at the Beiteddine Art Festival.
Trying to fight back tears with a smile, Alia, a 70-year-old longtime fan of the artist, nicknamed Sabbouha, found it difficult to find words to express her emotions.
“More than anyone in the whole world, Sabah brought happiness to the hearts of every single person who heard her songs,” she said. “I and millions like me would have not enjoyed our youth so much if not for her.”
Dabke dancers jolted with the sound of her music and singers recited parts of her most notable songs for reporters, while the Army brought its orchestra to play her music, setting a remarkable precedent.
Dressed in black from head to toe and wearing shoes with wooden heels, a woman surprised the crowd when she started performing a flamenco dance in harmonious rhythm.
Sabah’s coffin, draped with a Lebanese flag and covered with white flowers, was carried into the hall of the church.
Sabah’s portraits showing her charming smile hung on every corner of the church, from its gates, to the walls of its outdoor hall, to the pins so proudly displayed by her fans.
“She should be remembered every day, in every home, and by everyone who appreciates what she gave us,” Darine Hadchiti, a Lebanese celebrity and singer, told The Daily Star.
For Hadchiti, Lebanon’s modern singers and actresses have a very important lesson to learn from Shahroura, another nickname, meaning singing bird in Arabic.
“It’s all about modesty,” she said. “If Sabah’s character was not so extraordinarily modest, you wouldn’t have seen all these people coming here just to express how much respect they have for her.”
But the mood inside the cathedral where Sabah’s funeral service was held was toned down, with prayers held and a sermon delivered by Maronite Patriarch Beshara Rai.
“Sabah died but her voice will stay alive on the air,” Rai said after the prayers.
“She rests in peace, with one will, that her farewell day be a day of joy, without grief or weeping,” Rai added, addressing Sabah’s relatives, fans and a host of politicians who attended the Mass.
The cathedral was packed with hundreds of admirers, some of whom watched from the high balconies.
Sabah is survived by her son, Sabah Shammas, from her marriage to Najib Shammas, and her daughter Howeida, from her marriage to Egyptian violinist Anwar Mansi.
After the Mass, Sabah’s body was transferred to Bdadoun, passing through the village of Houmal.
Hundreds of residents took to streets to receive the funeral in both villages, carrying the diva’s photos.
In Bdadoun, residents carried the coffin to a church where the last funeral prayers were held before she was laid to rest.